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Coco Montoya

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Thursday 4th March 2010 @ Newcastle - Cluny

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Tickets £13.00 on the door tonight.

 

 

Doors 7.30pm

Mitch Laddie Trio

7.30pm

Coco Montoya 9.00pm

Close

11.00pm

Venue Details

 

This will be a standing gig.

 


 

 

 

 

 

Latest News ..... Mitch Laddie Trio to do the support.

 

 

 

 

 

+ Mitch Laddie Trio

 

Thank You to Coco Montoya for an incredible performance at the Cluny on Thursday 4th March. We had a big turn-out and if ever a crowd was "up for it" this was the gig. The show got off top the best possible start by the Mitch Laddie Trio who did a first rate support set. Many in the audience had not heard of Mitch, but were glowing in their praise for the young guitarist. Note he is back with his own show on the 12th April. Coco gave us two solid hours of breathtaking musicianship. There was classic blues, more rocky stuff, touches of soul and the odd samba rhythm could be detected. Coco and the band played out of their skins. His guitar playing was at times was unbelievable with several show-stoppers. Even the drum solo was brilliant and rather than using it to visit the toilet or go and get a pint, the crowd lapped it up - excellent stuff! Obviously, we will be getting Coco back, but sadly it won't be for another year. One of the best gigs we have ever staged!

 

Coco Montoya gets  a CannyGigs 5 Star recommendation. That's not hype to sell a few tickets, it's because we rate this guy so highly. If you are Walter Trout fan, you must come and see this cracking guitarist.

Blistering contemporary blues…piercing attack, funky, shivery guitar tones and aggressive, soulful vocals" - Blues Revue

"In a world of blues guitar pretenders, Coco Montoya is the real McCoy. Be prepared to get scorched."- Billboard

Over the course of his 30-year career, guitarist and vocalist Coco Montoya's explosive guitar playing and soul-driven voice have propelled him to the upper reaches of the blues-rock world. From his early days as a drummer to his current status as one of the top-drawing guitarists and vocalists on the blues-rock scene, Montoya has forged his reputation through years of hard work and constant touring.

And it all started with a chance meeting in the mid-1970s with legendary bluesman Albert Collins, who offered Montoya a gig as his drummer. Albert took an immediate liking to Montoya, becoming his mentor and teaching his new protégé secrets of the Collins "icy hot" style of blues guitar. Five years later, John Mayall happened to catch Montoya at a jam session and was blown away. This led to Montoya's touring the world for ten years with the legendary Bluesbreakers.

Since stepping out as a bandleader in 1993, Montoya has released four solo albums and has performed non-stop at clubs, concert halls and major festivals all over the world. At every show, fans' jaws dropped, and critics raved about Montoya's mind-bending guitar licks and impassioned vocals. "The fiery blues that issue forth from Coco Montoya's guitar are awe-inspiring and boogie requiring," shouted The Village Voice. "Blistering, pure blues," cheered Blues Revue. Now, with Can't Look Back (AL 4885), Montoya turns up the intensity with another dose of his feral, soul stirring music.

On Can't Look Back, Montoya once again uses blues as a blasting off point for his rock solid, groove-laden music. With his icy hot guitar playing and his soulful, unaffected vocals, Montoya attacks each of the 13 songs with deep feeling and ferocious energy. Produced by Jim Gaines (Luther Allison, Santana, Stevie Ray Vaughan), every song on Can't Look Back (including five Montoya originals) burns from start to finish. From the scorching Wish I Could Be That Strong to the grooves and passion of Trip, Stumble And Fall to the ear-catching Can't Look Back to the reinvention of Albert Collins' Same Old Thing, Montoya brings all the unbridled force of his acclaimed live shows into the studio for a foot-stomping, guitar-fuelled ride.

Coco Montoya was born in Santa Monica, California in 1951 and raised by working class parents with a large record collection. As a youngster, he enjoyed picking out notes on the guitar, but he grew up playing drums in local rock bands. In 1969, Montoya saw Albert King opening up a Creedence Clearwater Revival, Iron Butterfly concert and was transformed. "After Albert got done playing," says Montoya, "my life was changed. When he played, the music went right into my soul. It grabbed me so emotionally that I had tears welling up in my eyes. Nothing had ever affected me to this level. He showed me what music and guitar playing were all about. I knew that was what I wanted to do."

By the mid-1970s, Montoya was playing drums in several local rock bands, one of which played a small Culver City, California bar on weekends. One Sunday, Albert Collins was booked to play a matinee there and the club owner gave Collins permission to use Montoya's drums. Montoya continues the story: "I show up to pick up my equipment and I see that someone had been playing my drums and I got a little angry with the club owner. So Albert called me up at the club and was real nice and apologetic. I went down to see his show and it really just tore my head off. The thing that I had seen and felt with Albert King came pouring back on me when I saw Albert Collins."

A few months later, Albert desperately needed a drummer for a tour of the Northwest and he called Coco. "When he called," recalls Coco, "I figured we'd rehearse for a few weeks before the tour. Instead, he told me he'd pick me up in three hours." During the tour, Albert took Montoya under his wing, teaching him about the blues. After the tour ended, Montoya remained in Collins' band for five more years. It was during this time that Coco began doubling on guitar. And Collins went out of his way to teach the youngster. "We'd sit in hotel rooms for hours and play guitar," remembers Montoya. "He'd play that beautiful rhythm of his and just have me play along. He was always saying, 'Don't think about it, just feel it.' He taught me to tap into an inner strength. What a great gift he gave me." As Montoya's guitar playing improved, his relationship with Collins kept growing. "He was like a father to me," says Coco, who often crashed at Collins' house. When Collins declared Montoya his "son," it was the highest praise and affection he could offer. In return, Montoya learned everything he could from the legendary Master of the Telecaster.
 

 

Mitch Laddie Trio

 

There are many budding guitarists, but most don’t get past a gig at the local the pub. However, one Northeast lad has made the break-through. Mitch Laddie is a 19 year old from Ebchester in County Durham, but while he was only sixteen his emerging talents were spotted by American blues legend Walter Trout in 2006. 

Trout invited Laddie to jam with him and the band at Colne Hall and live on stage in front of a big crowd, Laddies’s potential was emphatically confirmed.  Trout had no hesitation to further invite him over to Amsterdam to guest at his gig at the famous Paradiso. It was here that Provogue Records boss Ed van Zijl was immediately impressed and signed the young guitarist to the influential blues label.

Trout has become a true friend and mentor to Laddie and gave him a guest spot at his recent O2 Academy gig in Newcastle. The crowd was blown away at the immense skill and passion of the youngster and gave him thunderous applause.

Laddie began playing guitar seriously at the age of 13 after suffering an injury, which led to several months in hospital. He learned Pink Floyd, Mark Knopfler and Chuck Berry ditties and focused on Hendrix and Gilmour licks. But it wasn’t until he heard the great Stevie Ray Vaughan that he really jumped into the deep end of the blues.

Now with his own band, The Mitch Laddie Trio, he will launch his first album titled “This Time Around” for Provogue and embark on a major promotional UK tour next April. Laddie has also recorded three live sessions with Walter Trout with a view to one of the cuts being selected as a bonus track on the new album.

It’s certainly taken many years of hard work, but it’s good to see a ‘local lad’ making the grade. Studio work is very interesting, but Laddie prefers to play live and will be the special guest of Coco Montoya

 www.mitchladdie.com

 

 

 

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Last modified: April 21, 2010